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(1962), Aldrich wanted to make a film with similar themes for Joan Crawford and Bette Davis. Their feud was infamous and legendary, and they were not initially eager to repeat themselves. Writer Henry Farrell, on whose novel the film had been based, had written an unpublished short story called "What Ever Happened to Cousin Charlotte?" that Aldrich envisioned as a suitable follow-up. Aldrich's frequent collaborator, Lukas Heller, wrote a draft of the screenplay, but was replaced by Farrell in late 1963. Thirty-seven years later, Charlotte, a spinster, having inherited the estate after her father died, is tended to by her loyal housekeeper, Velma. In the intervening years, John's death has remained an unsolved murder, though it is commonly held that Charlotte was responsible.
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Ultimately, Hush...Hush, Sweet Charlotte was a solid film, but it could never fully escape the shadow of Davis' contentious team-up with Joan Crawford in the macabre hit, Whatever Happened to Baby Jane?. Robert Aldrich’s followup (but no relation) to What Ever Happened to Baby Jane? Bette Davis again stars, with Olivia de Havilland returning to the screen in the role which Joan Crawford started but due to continued illness had to abandon. Robert Aldrich's followup (but no relation) to What Ever Happened to Baby Jane? Olivia de Havilland replaced Joan Crawford after the latter fell ill just before production was about to begin. Flash-forward almost forty years to 1964 and the events of that grisly evening have continued to haunt Charlotte ever since.
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Miriam sees the housekeeper trying to take Charlotte out of the house. Velma tries to escape, but knowing that Velma has discovered the drugs, Miriam smashes a chair over her head. Hush… Hush, Sweet Charlotte received seven Academy Award nominations. It failed to win any of them and fell into relative obscurity. Luckily, there’s been a revival of interest in it in recent years as critics from the Guardian and elsewhere have started promoting films such as this, What Ever Happened to Aunt Alice? Weren't Crawford and Davis supposed to be the stars of that film?
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Not only did Davis lose, she had to watch Crawford revel in the glory. According to Hollywood legend, Davis started to force the cast and crew of Sweet Charlotte to pick sides in their personal rivalry. When Crawford arrived in New Orleans to start doing principle photography, no one picked her up at the airport. Immediately, she fell "sick." She was sick for about two months, forcing Aldrich to hire a private investigator to snoop and see if she was faking it or not. In the historic first criminal trial of an ex-president, Donald Trump faces 34 felony counts of falsifying business records to cover up a violation of campaign finance law. But despite such a major event, there are no video cameras allowed in the courtroom, and no still photos save for those typically taken of the defense table in a minute-long photo opportunity.
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Upon returning, Miriam renews her relationship with Drew Bayliss, the local doctor who jilted her after the murder. The eccentric Charlotte becomes progressively wilder with Miriam's arrival--her nights haunted by mysterious piano playing of the song Mayhew wrote for her and by the appearance of Mayhew's disembodied hand and head. Miriam and Drew trick Charlotte into shooting Drew with a gun loaded with blanks, and Miriam helps Charlotte dispose of the body in a swamp. Drew's reappearance later reduces Charlotte to whimpering insanity.
Miriam embraces Drew, then the two look up and into Charlotte's knowing eyes. They are paralyzed by the sight as Charlotte tips the stone urn off the ledge, crushing both to death. Miriam fires Velma, who later returns to discover that Charlotte is being drugged.
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In 1927, young Southern belle Charlotte Hollis and her married lover John Mayhew plan to elope during a party at the Hollis family's antebellum mansion in Ascension Parish, Louisiana. Charlotte's father, Sam, confronts John over the affair and intimidates him with the news that John's wife Jewel visited the day before and revealed the affair. John pretends to Charlotte he can no longer love her and that they must part.
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(1962)', and was to be called "Whatever Happened to Cousin Charlotte?". Bette Davis' torment of Crawford (who had actively campaigned against Davis' Oscar nomination for "Baby Jane") became so oppressive that Crawford pleaded illness in order to get out of the production. I also found the performance of Agnes Moorehead as Charlotte’s servant Velma, borderline annoying, even though she won a Golden Globe for it as Best Supporting Actress.
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John is then brutally murdered and decapitated in the summerhouse with a cleaver, with one hand severed. She returns traumatized to the party in a bloody dress, and most of the guests assume Charlotte is the murderer. His sharp words were not enough to tank Davis' project though. Despite the tabloid talk about the way Crawford was replaced after barely a week on set, Davis and co-stars were not overshadowed by the gossip. Quite the opposite, reviews for their work praised the daring nature of their performances, as well as Aldrich's directing style. Davis lives in the reflection of a dreadful past, the macabre murder and mutilation of her married lover hanging over her as she frequently confuses the past with the present as her mental balance is threatened.
John pretends he no longer loves Charlotte and tells her they must part. Davis didn't earn an Oscar nomination for the film, but her co-star Agnes Moorehead did. Moorehead was nominated for Best Supporting Actress and went on to win a Golden Globe for her performance. The film was also nominated for Best Art Direction, Best Score, Best Costume Design, Best Editing, and Best Cinematography at the Oscars. Notably, the film's screenwriters took home the 1965 Edgar Award for best screenplay.
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One night, a drugged Charlotte runs downstairs in the grip of a hallucination, believing that John has returned to her. After Miriam tricks the intoxicated Charlotte into shooting Drew with a gun loaded with blanks, the two dispose of his body in a swamp. Charlotte returns to the house and witnesses the revived Drew walking downstairs after he returned, reducing her to insanity. Believing she has shattered Charlotte's mental state, Miriam celebrates with Drew in the garden, where they discuss the plan to have Charlotte committed to a psychiatric hospital and usurp her fortune.
She has stayed closeted in the same mansion in the fields of Louisiana but is now being forced to move, her home to be demolished to make way for a bridge and new roads. We’re told that ‘she could live anywhere in the world like a Queen’ but she dreads the idea of being forced out. Miss Charlotte, when this movie begins, is a young debutante in love with an older, married man John Mayhew (Bruce Dern). Her dictatorial father has discovered a plan between the pair to elope to Baton Rouge after an upcoming grand ball – he vows to put an end that idea. The title song by Frank de Vol became a hit for Patti Page, who recorded a version which reached no. 8 on the Billboard Hot 100. Scenes outside the Hollis mansion were shot on location at Oak Alley plantation in Louisiana.[10][11][12] Scenes of the interior were shot on a soundstage in Hollywood.
Farrell and Heller won a 1965 Edgar Award, from the Mystery Writers of America, for Best Motion Picture Screenplay. The title song became a hit for Patti Page, who took it to #8 on the Billboard Hot 100. The film's seven Oscar nominations were the most for a movie of the horror genre up to that time.
Willis hands her an envelope from the now-dead Jewel Mayhew, who has had a stroke after hearing of the incident the previous night. The note contains Jewel's confession to the murder of her husband. As the authorities drive Charlotte away, she looks back at her beloved plantation. One night, a drugged Charlotte runs downstairs in the grip of a hallucination, believing John has returned to her. Miriam and Drew decide to trick Charlotte into shooting Drew with a gun loaded with blanks, after which Miriam helps dispose of the "body" in a swamp.
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